![]() “I’ve worried that the work encourages to be worse,” she says. Spitz has often worried that her work may come across as exploitative. One of several grids she uses to dissect her work and slow down the urgent pace of Instagram. ![]() You have to zoom in and out it all folds in on itself.” ![]() “They are also really metaphorical in terms of dealing with the work and my mom,” she tells TIME. She started using Insta-grids long before the trend took off, largely because she hated the idea of cropping her pictures into a square. Spitz shares screen grabs of texts with her mother, allowing the complexities of mental illness to exist within a familiar visual device. In the past year, Spitz has developed a unique instinct for curating visual elements into an arresting narrative within the platform. Spitz tells her story through many different mediums and in such a way that only on Instagram could the story have unfolded the way it did. #Grids for instagram out of date archiveiPhone photos live next to fine art pictures, archive footage and old childhood snaps. Over eight years, Spitz has taken more than 5,000 photographs and 100 videos. ![]() Intimate and artful details tell the larger story of her mother’s battle. Spitz’s willingness to repeatedly bear witness to her mother’s lowest moments makes the viewer feel honor-bound to bear witness too. Spitz takes the viewer on a captivating and unflinching journey with images that reflect the complexity of mental suffering through the lens of someone who cares deeply for her subject. Spitz explores her mother’s mental illness through Instagram’s storytelling tools. For her distinct understanding of the platform’s storytelling potential, and her unique curation that has generated a community and conversation about mental illness, Spitz, 29, has been named TIME’s Instagram Photographer of the Year for 2017. ![]()
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