![]() They liason with the other departments - the cinematographer and his crew will want to know where on set they can set up their equipment. They have to maintain the schedule so sets and props are ready in time for their upcoming shoot dates.Ī good production designer fights for the needs of their art department, but also pushes back when their artists ask for the impossible. The production designer has to work within the constraints of the budget the line producer has assigned to them. That sounds fun, but this isn’t just creative work. One the team is assembled, the production designer gets into the weeds of, well, designing the production. Everyone knows Batman, certainly, but does this person understand this version of Batman? Production Other times, it’s more subtle, which is where the interview process is especially important. Sometimes this is obvious - someone without any historical knowledge is probably a bad fit for a period piece. Once those key positions have been hired, the production designer and art director (or art directors) have to fill a roster of set designers, property masters, draftspersons, and other artists and technicians.Ī good production designer has a rolodex of people they know they can trust, but they also find new talent posting on job boards like Production Beast.Īside from the strength of an applicant’s portfolio and resume, the art director and production designer have to determine if the potential teammate understands the vision behind the film. Or two or three if you’re taking a truly monumental task. ![]() This starts with the art director, if the shoot is large enough to justify one. ![]() And like every department head, they’re responsible for hiring their team. What is a production designer? A production designer is a department head. Now it’s time to take those sketches and turn them into actual reality. You will be responsible for producing reams and reams of sketches until a “look” that everyone can agree is finally discovered. Once that visual look has been agreed and decided upon, however, everyone will be turning to you to put that vision to paper. Everyone will have opinions on this matter, and they might not necessarily agree. The goal of these meetings is to translate the director’s stated vision into the visual look of the film. Pre-Productionīefore the production designer hires a single other member of the art department, they meet with the director, cinematographer, and other major department heads in multiple pre-production meetings. Sometimes the art director works for the production designer.īut if you want to sit in their chair, you really need to understand the production designer and the art director’s job description. Sometimes they’re called the art director. The person who decides the look of the film, who approves (or rejects) your designs. If you’re already working in the art department, you may think you already know the answer to that question. Learn more about how production designers do their magic, and how you to can build worlds. ![]() ![]() Period perfect Victorian London.Ī far off land of dragons and wizards, or a modern day Los Angeles where people spontaneously break into song. Without the production designer, actors would not have worlds to inhabit.Ī future that looks disturbingly close to our own. ![]()
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